After two years touring many of the stages of peninsular Spain, Pasión Vega closes her musical show "Pasión por Cano" at the Los Jameos del Agua auditorium. A tribute to the Andalusian singer-songwriter and poet, Carlos Cano, who wisely recovered relatively forgotten traditional Andalusian styles. Almost 16 years after his death, Pasión Vega and her album "Pasión por Cano" has ensured that all those who enjoyed his art have him very present again and that those who did not know him can discover some of the many compositions with blues, fado or jazz rhythms that he recorded, which today are part of the anthology of Spanish songs.
Last Friday Pasión Vega filled the auditorium of Los Jameos del Agua. Her powerful voice filled the impressive volcanic vault, delighting the numerous audience with her suggestive mix that allows her not to lose her origins.
Danzón del Corazón were the first musical notes that Pasión interpreted, followed by a chain of many of the great hits that Cano recorded, such as, Alacena de las Mojas, La bien Pagá, Las Murgas de Emilio El Moro, Luna de Abril, El tango de las Madres Locas or María la Portuguesa among others. Pasión Vega filled the stage with a very careful staging where simplicity, elegance and dedication managed from the first moment to connect with the public. The people rewarded the singer with prolonged applause and compliments and she responded very grateful for the welcome.
In one of her brief interventions, Pasión said she felt "fortunate to have had the opportunity to sing on a unique stage in the world such as the Auditorium of Los Jameos del Agua". Coinciding that the day of her concert, November 25, commemorated the International Day for the Elimination of Violence against Women, Pasión made a stop in the musical repertoire dedicated to Carlos Cano to perform the song "María se bebe las Calles", at the end of it the ovation was impressive by the public very aware of the cause.
The almost two hours that Pasión Vega was on stage seemed short to the public and that is that at all times she was up to the task maintaining her vocal qualities united to the Andalusian grace. After several encores, some dance steps to the sound of the last song, Habaneras de Cádiz, closed in Lanzarote the tour dedicated to the Andalusian singer-songwriter and poet, Carlos Cano.
